>
>
>
the catastraphonic or-kidstra CD Cover (2014)
john luke chapman
>
>
‘She hadn’t wanted to become friends with Lil – she had hated Lil. But the girl swooped into her life and plucked out her resistance like a vulture disembowelling a lamb … she was so unutterably grief-stricken – no one could hate someone so sad.’
Naomi Foyle Astra (Jo Fletcher Books 2014)
>
>
>
>
Under The Spokes (2013)
john luke chapman
>
I remember
The dead smell of sun on wood cabins,
The stiffness of sails, the long salt winding sheets.
Once one has seen God, what is the remedy?
‘Mystic’ (1963)
Sylvia Plath
>
>
>
Carotid Light Series #6 (2010)
john luke chapman
>
>
>
Reminiscent V (2013)
john luke chapman
>
>
i have just published a black & white variant image from the Carotid Light Series on the gallery site Carbon Noise Photographic. CNP is an online monochromatic collective and any visit is always rewarded with an array of visual morsels.
>
>
>
>
>
>
A View From A Ditch (2008)
john luke chapman
>
>
>
![Without A Dream In My Heart [Sepia Print] (1998)](https://darklingeye.files.wordpress.com/2013/09/without-a-dream-in-my-heart-sepia-print-1998.jpg?w=494&h=347)
Without A Dream In My Heart [Sepia Print] (1998)
john luke chapman
>
>
>
In Descent (2008)
john luke chapman
‘Before illness completely got the better of me, my life was a sickly hallucination from start to finish. I was conscious, but, as in a bad dream, everything passed before my eyes too quickly.’
Georges Bataille Blue Of Noon (1957)
>
>
>
![Dead Head [Sepia Print] (2013)](https://darklingeye.files.wordpress.com/2013/09/dead-head-sepia-print-2013.jpg?w=494&h=321)
Dead Head [Sepia Print] (2013)
john luke chapman
>
>
>
![Dead Head [Silent Version] (2013)](https://darklingeye.files.wordpress.com/2013/09/dead-head-silent-version-2013.jpg?w=494&h=321)
Dead Head [Silent Version] (2013)
john luke chapman
>
>
>
Dead Head (2013)
john luke chapman
>
>
>
Carotid Light Series / CLS#11 Sepia Print (2010)
john luke chapman
>
>
>
Carotid Light Series / CLS#1 Sepia Print (2010)
john luke chapman
>
>
>
Jawbreaker IV (2013)
john luke chapman
>
>
>
Jawbreaker I-III (2013)
john luke chapman
>
>
>
Behold The Man (2002)
john luke chapman
>
>
>
Scabiosa Butterfly Blue II (2013)
john luke chapman
for S.
>
>
>
The Descent of Man (2008)
john luke chapman
>
>
>
The Erl-King’s Demesne (2005)
john luke chapman
‘A young girl would go into the wood as trustingly as Red Riding Hood to her granny’s house but this light admits of no ambiguities and, here, she will be trapped in her own illusion because everything in the wood is exactly as it seems.
The woods enclose and then enclose again, -‘
Angela Carter ‘The Erl-King’ from The Bloody Chamber (1979)
>
>
>
In The Morning He Discovered That The Only Handle Was On The Outside Of The Door (2002)
john luke chapman
>
>
>
Eight-Chambered Reel (2013)
john luke chapman
>
>
>
abrase (2013)
john luke chapman
>
>
>
Your Dirty Answer (2005)
john luke chapman
>
>
>
Staple (1997)
john luke chapman
>
>
>
Broken Dream (2013)
john luke chapman
>
>
>
Sgraffito 6 – 8 (2010)
john luke chapman
>
>
>
Untitled (2002)
john luke chapman
>
oil & ink on board
>
>
>
![Do Not Remove Pins From Body [Butterfly Variation] (2013)](https://darklingeye.files.wordpress.com/2013/05/do-not-remove-pins-from-body-butterfly-variation-2013.jpg?w=549&h=368)
Do Not Remove Pins From Body [Butterfly Variation] (2013)
john luke chapman
>
originally posted, with a short bio and creative musings, at the online gallery Broken Light : A Photography Collective a couple of weeks ago.
>
the shirt & suit was obtained from the wardrobe department at Fox Studios where it had been worn by various vampires in the tv show Buffy The Vampire Slayer. i added the dust and the butterfly.
>
>
>
>
The Lovers (2013)
john luke chapman
>
>
>
Before The Devil Knows You Are Dead (2005)
john luke chapman
>
>
>
Connemara (2005)
john luke chapman
>
>
>
Untitled (2003)
john luke chapman
chalk, wax & charcoal on wood
>
>
>
Untitled (2004)
john luke chapman
>
>
>
Blinded (2013)
john luke chapman
>
>
>
Now I Lay Me Down To Sleep (2013)
john luke chapman
>
>
>
Reminiscence II (2013)
john luke chapman
>
>
>
Spiral (2013)
john luke chapman
>
>
>
Reminiscent IV (2013)
john luke chapman
>
>
>
‘Where’s Waldo?’ For The Prozac Generation
— or, How I Found Jack White In A Bottle Of Fluoxetine (2013)
john luke chapman
>
>
>
The Complicity Of Dunces (2013)
john luke chapman
>
since the Conservative/Lib Dem Coalition came to power in the UK, in 2010, the motley duo of Cameron & Clegg have overseen the closure of 347 public libraries and have recently earmarked a further 400 more council libraries for eradication.
[X] the mark of cain, of democracy, to vote, the mark to be empowered in sponsor-directed government. to mark where the treasure is hidden for the élite few; the wealth siphoned off, cut ‘n’ rebirthed.
[X] the signature of the illiterate.
>
>
>
Reminiscent VI (2013)
john luke chapman
>
>
>
Zone (2011)
john luke chapman
>
>
>
Do Not Remove Pins From Body (2013)
john luke chapman
>
>
>
Sgraffito 5 (2010)
john luke chapman
>
>
>
Reminiscence I (2013)
john luke chapman
>
>
>
Road To Nowhere (2004)
john luke chapman
>
>
>
The Specialist (2002)
john luke chapman
>
>
>
Mr Beckett’s Holiday (2002)
john luke chapman
>
>
>
Carotid Light Series #1 / Dark Blue Mix (2010)
john luke chapman
>
>
darkling eye was born a year ago today and, from the outset, it was only ever designed to be a one year project.
the response has been unexpected: baffling, fascinating, at times curious, and always intriguing.
i am touched.
the twelve months have ended but i am not ready to give it up just yet. it doesn’t feel completed. or stale. so, with your indulgence, darkling eye will continue for the time being at least.
takk
>
first annual report
posts : 99
likes : 1537
followers : 200
countries : 60
>
>
>
>
>
Close Your Eyes And Go To Sleep. I Dare You. (2003)
john luke chapman
darkling eye 